1. 426.
    0
    -˛aban bu neeaa
    -elmaaa
    -s koy
    -selma.. ah˝h˝
    -g˝á˝na gooooy
    -ahah ay˝p ol˚rr
    -goy goooooy!
    -ahah herkesin iáinde!...
    -yaw elman˝n g˝á˝na s gooooy
    -elma.. elmass.. haaaaa elmas! kim áald˝ elmas˝

    ben geená kˆr biir dilenciyiiim
    sokaaak sokaaak gezeeeriim
    beniii gˆreen zengiiinlerdeeen
    biraazc˝k yaard˝m iisteriiim
    (sutoglan, 12.12.2003 12:35 ~ 12:55)

    stan: who are you?
    johnny: we're that band, radiohead.
    scott: [raises his head] jesus!
    ed: jeez, what a li'l crybaby!
    colin: are you gonna cry all day, crybaby??
    thom: you know, everyone has problems; it doesn't mean you have to be a little crybaby about it.
    ed: come om, guys, let's go. this kid is totally not cool. [the members of the band start leaving]
    thom: yeah, that's the most uncool kid i've ever met.
    phil: little crybaby!

    [angel has just saved rachel from a violently abusive boyfriend, while spike watches ó and narrates ó from the rooftop.]
    spike [as rachel, falsetto]: how can i thank you, you mysterious, black-clad, hunk of a night thing?
    spike [as angel, basso]: no need, little lady, your tears of gratitude are enough for me. you see, i was once a bad-ass vampire, but love and a pesky curse defanged me. now i'm just a big, fluffy puppy with bad teeth. [rachel sways closer to angel; he steps back, warding her off with his hands.] no, not the hair! never the hair!
    spike [as rachel]: but there must be some way i can show my appreciation.
    spike [as angel]: no, helping those in need's my job. and working up a load of sexual tension and prancing away like a magnificent poof is truly thanks enough!
    spike [as rachel]: i understand. i have a nephew who's gay, so...
    spike [as angel]: ah. say no more. evil's still afoot ... and i'm almost out of that nancy-boy hair gel that i like so much. quickly! to the angelmobile ó away! [rachel and angel leave. spike lights a cigarette.]
    spike [as spike]: go on, liam. play the big, strapping hero while you can. you have a few surprises coming your wayóthe ring of amarra, a visit from your old pal spike, andóoh, yeahóyour gruesome, horrible death.

    you're *not* friends. you'll never be friends. you'll be in love till it kills you both. you'll fight, and you'll shag, and you'll hate each other till it makes you quiver, but you'll never be friends. (ba˛˝n˝ i˛aret eder) love isn't brains, children, it's blood... (gˆs¸ne vurur) blood screaming inside you to work its will. *i* may be love's bitch, but at least *i'm* man enough to admit it.

    every man dies not every man really lives

    i am constantine. john constantine. asshole.

    i don't know! i don't know why i did it, i don't know why i enjoyed it, and i don't know why i'll do it again!

    i didn't do it, nobody saw me do it, you can't prove anything

    beatles'te be˛ minare.. let it be olan let it be.

    was mich nicht umbringt macht mich st‰rker

    bir rˆportajinda nazim hikmet¥i cekistiren denyomatik elemani "yahu, sen ne diyorsun, ben sagciymisim da, nazim solcuymus da, biz birbimizin d¸smaniymisiz da, yok daha neler, ulan, biz nazim ile b¸t¸n g¸n siyaset tartisir, aksam olunca da beyoglu¥nda beraber kiz tavlardik, ne diyorsun sen be ?"

    ermeniler'in tehcir karar˝ndan sonra, bunu bir soyk˝r˝m ve vah˛et olarak niteleyen avrupa'n˝n, o dˆnem en g¸ál¸ ¸lkesi ingiltere'nin b¸y¸keláisi, abdulhamit'in huzuruna á˝kar. elái, abdulhamit'e, gˆr¸˛me s˝ras˝nda; "daha ne kadar ermeni ˆld¸receksiniz?" diye sorar. tum imparatorluk genelinde, muazzam bir istihbarat ag˝na ve buna bal˝ olarak kusursuz bir bilgi ak˝˛˝na sahip olan abdulhamit, gayet sogukkanl˝, eláiye dˆnerek, "4 aral˝k 1912 sabah˝ saat 03:30da yunan bal˝ká˝ teknesinin ta˛˝d˝˝ 33 kasa ingiliz yap˝m˝ t¸fei artvin'de ermenilere dag˝tan ingiliz ajanlar˝n˝n, silah ba˛˝na istedikleri t¸rk kellesi kadar daha ermeni ˆld¸receiz" demesi, zannediyorum tarihin en muazzam ayarlar˝ndan birisi olmustur.

    what do you looking at? you're all a bunch of fucking assholes. you know why? 'cause you don't have the guts to be what you wanna be. you need people like me. you need people like me so you can point your fucking fingers, and say "that's the bad guy." so, what that make you? good? you're not good; you just know how to hide. how do lie. me, i don't have that problem. me, i always tell the truth--even when i lie. so say goodnight to the bad guy. come on; the last time you gonna see a bad guy like this, let me tell you. come on, make way for the bad guy. there's a bad guy comin' through; you better get out to his way!"

    anlam˝:

    neye bak˝yorsunuz ha? hepiniz lanet serserilersiniz. neden biliyor musunuz? olmak istediiniz gibi olmaya cesaretiniz yok. sizin gibi insanlar˝n bana ihtiyac˝ var á¸nk¸ o s.ktiimin parmaklar˝n˝zla beni gˆsterip ìi˛te kˆt¸ adamî diyebilirsiniz. bu sizi ne yapar. iyi mi? iyi deilsiniz. sadece nas˝l saklanaca˝n˝z˝ ve yalan sˆylemeyi biliyorsunuz. benim bˆyle bir problemim yok. ben her zaman doruyu sˆylerim, yalan sˆylerken bile. ˛imdi kˆt¸ adama
    iyi geceler dileyinî

    bir adam˝ sabah gˆrd¸¸mde tesad¸f olarak kabul ederim, ˆlen ayn˝ adam˝ bir daha gˆr¸rsem ku˛kulan˝r˝m. ak˛am kar˛˝la˛t˝˝m˝zda teredd¸ts¸z silah˝m˝ áekip vururum. tesad¸flere inanmam

    the burden of originality is one that most people don't want to accept. they'd rather sit in front of the tv and let that tell them what they're supposed to like, what they're supposed to buy, and what they're supposed to laugh at. you have beavis and butt-head telling you what music you're allowed to like and not like, and you've got sitcoms that have canned laughter that lets you know when to laugh if you're too stupid to know when the joke is--people are too lazy and too stupid to think for themselves because america has raised them like that."

    yani diyor ki..

    "orijinal olmak beraberinde bir y¸k getirir ve insanlar bunu kabul etmek istemiyor. bunun yerine oturup televizyon izliyorlar ve televizyonun kendilerine neyi sevmelerini, neyi sat˝n almalar˝n˝ ve neye g¸lmelerini sˆylemesine izin veriyorlar. beavis and butthead size hangi m¸ziin iyi olduunu sˆyl¸yor. sitcomlar eer esprinin nerede olduunu anlayamayacak kadar aptalsan˝z, g¸lmeniz iáin kahkaha efekti veriyor. insanlar kendileri d¸˛¸nemeyecek kadar tembel ve aptal, á¸nk¸ amerika kendilerini bu ˛ekilde yeti˛tirdi"

    eer áocukluumuzdaki alg˝ d¸zeyimizi b¸y¸d¸káe koruyabilseydik, hepimiz birer dahi olurduk

    miroluu miroluuu bu ¸lkede ki˛i ba˛˝na 3 casus d¸˛¸yooo! (bkz: deli y¸rek)

    kyle: okay. we can use my dad's computer to call all the kids together.
    stan: wait. before we put a message out, do a search on the word, "clitoris."
    kyle: oh, okay... "found: eight million pages with the word, 'clitoris.'"
    stan: wow!
    kyle: i'll just try the first one. "you must be eighteen to enter this website." okay. "welcome to 'german sick fetish video.' if you are undereighteen, do not--" well, okay...
    german: do my sheiza game!
    kyle: dude! it's a lady getting pooed on!
    stan: whoa! is it cartman's mom?
    cartman: oh, very funny.
    kyle: hey! it is cartman's mom!
    german: essen mein sheiza.
    lian: all-righty, then!
    cartman: aw, son of a bitch! [gets shocked] ow!
    ike: ba-ba-ba-ba
    kyle: get outta here, ike. you're too young for this stuff.
    ike: bull shit.
    stan: what's he doing, now?
    german: essen mein sheiza.
    lian: okey-dokey!
    children: [watching video] oh! [gagging]
    german: [undecipherable]
    stan: click it off, dude! click it off! dude, what the fuck is wrong with german people?
    cartman: all right, all right. let's just do what we came here to do, and put a message out to kids.
    kyle: okay. let's see, i've gotta put out an all-access e-mail... god damn your mom sucks, cartman.
    Tümünü Göster
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  2. 427.
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    animal battle videos

    "when it comes to actual fights - there are plenty of videos that appear to be set in southeast asia somewhere. the one that jumps out to me is where a man and a woman are both stabbed and then thrown into this pit area. the pit only appeared to be about ten feet deep or so (completely guessing on that) but the problem is that they had what looked like a honey badger down there already and the badger/whatever in the hell it was started attacking the female. the female fell, flailed wildly while the man simply attempted to climb out of the pit, screaming his head off. surprisingly, the female was pretty quiet as she didn't last long. the badger-thing went after her head and she was motionless after that (assuming she died). when the man got close to the top by literally digging his hands into the dirt and climbing with all of his strength, he was shot.

    once he hit the ground in the pit, the badger jumped, walked over to him and smelled him and then left him alone. keep in mind, both of them were stabbed before hand in the stomach and then thrown into this pit. i'm assuming this was in a poor part of asia where drug cartels and crime syndicates run things.
    people already bet on animal fights to the death. bear baiting, dog fightings, etc happens all over the world. it's a documented fact.

    criminals all over the world already abduct people (children and adults alike) and then use drugs, violence and torture to keep them as sex slaves for prostitution. that's a documented fact.

    warlords in developing countries kidnap kids, drug them, make them rape and kill their own mothers and engage in cannibalism. they then keep them addicted to drugs so that they do their bidding and continue killing on command. that's a documented fact.

    if there are people willing to engage in these types of behaviours then i wouldn't be surprised if i found out that the above (badger) story was true."
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  3. 428.
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    when you're introduced to her, say, "hi, pleasure to beat you," then punch her in the face.
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  4. 429.
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    adam gibi adam amk sevdim bini
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  5. 430.
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    we built crossbows out of a graphite bow and split up, hunting each other in the forest. i still don't know how i survived childhood.
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  6. 431.
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    she forced a smile for our "prom" photo, it still gives me chills to look at. the smile looks like she is being held hostage and is afraid to escape, playing friendly with her kidnapper to buy time.
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  7. 432.
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    adam işte bu
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  8. 433.
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    http://instantrimshot.com/
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  9. 434.
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    i know this sounds bad and i'm going to get downvoted massively for it but here goes: this shows why, when you're in a foreign country, you should never ever get involved or intervene in situations no matter how strongly you feel or how much you're in the right to help out. there's a very high chance of a misunderstanding of your intentions and the law will almost certainly work against you.
    having lived overseas for the better part of 10 years, the people i always see get in trouble are those who rush in to help a situation. see that drunk girl sitting on the corner crying? go over and sit down beside her to comfort her and when her friends come back, they accuse you of touching or molesting her in some way. see that woman with the baby stroller struggling to make it down the steps? go ahead and lift the other end of it to help make it easier for her. watch as she panics and accuses you of trying to kidnap her baby. i have personally seen both of these things happen.
    as bad as it is to say, my best advice for ex-pats and tourists alike is not to get involved, no matter what. it may be callous but it will keep your butt out of trouble if you mind your own business. the thing about white knights is that they almost always die the most painful deaths on the battlefield.
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  10. 435.
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    http://9gag.com/gag/188578/
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  11. 436.
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    http://9gag.com/gag/190648/
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  12. 437.
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    first good news two of your sons are not locked in the car

    maggiee
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  13. 438.
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    http://www.youtube.com/watch?v=bh2i9fj0alk
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  14. 439.
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    china public snit
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  15. 440.
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    candır, canandır.
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  16. 441.
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    sadece huur çocuklarına nick altı girerim.
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  17. 442.
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    http://9gag.com/gag/200162/
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  18. 443.
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    iş yerinden eve doğru geliyodum. mahalleye girdim. baktım annem hemen mahalle girşinde eve doğru gidiyo. bende arkadan gizlice yanaşıp korkutayım dedim. arkadan yanaştım ellerimle gözlerini kapattım. kadın "noluyo ya" der demez anladım ki bu her zaman annemle karıştırdığım üstelik annemle kavgalı olan nedime teyze. o an ne yapacağımı şaşırdım. arkasını dönüp beni görse cingar çıkarıp rezil etcek. bende çaresiz gözlerini kapatmaya devam ettim. kadın "ya kimsin bıraksana" diye bağırıyo ben bir çare bulmaya çalışıyorum. kadın iyice "ya bıraksanaaaa" diye çığırırken "nedime teyze sus, allahını seviyosan sus" dediysemde dinlemedi. bende korktum kimse duymasın diye ağzını kapattım. baktım direniyo, arkasına dönmeye çabalıyo bende battık balık yan gider lan dedim nedime teyzenin boğazını kolumla sıktım, çelme takarak yere yatırıp kafasına taşla vurdum. gözlerini başörtüsü ile bağlayıp eve getirdim. artık yapmasamda yaptı derler düşüncesi ile hareket ederek nedime teyzeyi gibtim. daha sonra ortada tanık kalmasın dedim bunu halıya sardım kaldırıp çöpe attım.
    şu an mekgiba sınırındayım. bundan sonra tövbeler olsun ki kimseye şaka yapmam.
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  19. 444.
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    get in the down elevator. face everyone and look the in the eyes,' til they get really nervous. press a few buttons in a row, then get off the elevator at the first stop. run to the stairs, down a few floors, then get back into the same elevator. face everyone and say, "i know what you said about me."
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  20. 445.
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    iyi lan dalyarak
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