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this problematic Nicholas Wolterstorff pushes forward our merely idiosyncratic reasons for liking an object as decisive ('An Engagement With Kant's Theory of Beauty', in: Ralf Meerbote (ed.): Kant's Aesthetics, Atascadero, Cal., 1991, p. 105 ff). Anthony Savile (in his brilliant Kantian Aesthetics Pursued, Edinburgh, 1993) and Mary Mothersill in her article on 'The Antinomy of Taste' (in Meerbote, 1991, p. 75 ff.), both direct our attention to the possibility of assessment of the truth value of the judgement with regard to its content. 2 Wiggins, D.: Needs, Values, Truth: Essays in the Philosophy of Value. Oxford: Blackwell, 1987, essay V: 'A Sensible Subjectivism?' 3 I do not think that the distinction between beauty and the sublime is intelligible, but will not argue against it in this paper. Instead I will treat them as on a par, and talk instead of 'aesthetic excellence', which everybody will agree comprises both. 4 An important example of the former strategy can be found in Nelson Goodman's writings whereas Monroe Beardsley and George Dickie clearly follow the latter. 5 The controversial character of some of Kant's presuppositiothis problematic Nicholas Wolterstorff pushes forward our merely idiosyncratic reasons for liking an object as decisive ('An Engagement With Kant's Theory of Beauty', in: Ralf Meerbote (ed.): Kant's Aesthetics, Atascadero, Cal., 1991, p. 105 ff). Anthony Savile (in his brilliant Kantian Aesthetics Pursued, Edinburgh, 1993) and Mary Mothersill in her article on 'The Antinomy of Taste' (in Meerbote, 1991, p. 75 ff.), both direct our attention to the possibility of assessment of the truth value of the judgement with regard to its content. 2 Wiggins, D.: Needs, Values, Truth: Essays in the Philosophy of Value. Oxford: Blackwell, 1987, essay V: 'A Sensible Subjectivism?' 3 I do not think that the distinction between beauty and the sublime is intelligible, but will not argue against it in this paper. Instead I will treat them as on a par, and talk instead of 'aesthetic excellence', which everybody will agree comprises both. 4 An important example of the former strategy can be found in Nelson Goodman's writings whereas Monroe Beardsley and George Dickie clearly follow the latter. 5 The controversial character of some of Kant's presuppositiothis problematic Nicholas Wolterstorff pushes forward our merely idiosyncratic reasons for liking an object as decisive ('An Engagement With Kant's Theory of Beauty', in: Ralf Meerbote (ed.): Kant's Aesthetics, Atascadero, Cal., 1991, p. 105 ff). Anthony Savile (in his brilliant Kantian Aesthetics Pursued, Edinburgh, 1993) and Mary Mothersill in her article on 'The Antinomy of Taste' (in Meerbote, 1991, p. 75 ff.), both direct our attention to the possibility of assessment of the truth value of the judgement with regard to its content. 2 Wiggins, D.: Needs, Values, Truth: Essays in the Philosophy of Value. Oxford: Blackwell, 1987, essay V: 'A Sensible Subjectivism?' 3 I do not think that the distinction between beauty and the sublime is intelligible, but will not argue against it in this paper. Instead I will treat them as on a par, and talk instead of 'aesthetic excellence', which everybody will agree comprises both. 4 An important example of the former strategy can be found in Nelson Goodman's writings whereas Monroe Beardsley and George Dickie clearly follow the latter. 5 The controversial character of some of Kant's presuppositiothis problematic Nicholas Wolterstorff pushes forward our merely idiosyncratic reasons for liking an object as decisive ('An Engagement With Kant's Theory of Beauty', in: Ralf Meerbote (ed.): Kant's Aesthetics, Atascadero, Cal., 1991, p. 105 ff). Anthony Savile (in his brilliant Kantian Aesthetics Pursued, Edinburgh, 1993) and Mary Mothersill in her article on 'The Antinomy of Taste' (in Meerbote, 1991, p. 75 ff.), both direct our attention to the possibility of assessment of the truth value of the judgement with regard to its content. 2 Wiggins, D.: Needs, Values, Truth: Essays in the Philosophy of Value. Oxford: Blackwell, 1987, essay V: 'A Sensible Subjectivism?' 3 I do not think that the distinction between beauty and the sublime is intelligible, but will not argue against it in this paper. Instead I will treat them as on a par, and talk instead of 'aesthetic excellence', which everybody will agree comprises both. 4 An important example of the former strategy can be found in Nelson Goodman's writings whereas Monroe Beardsley and George Dickie clearly follow the latter. 5 The controversial character of some of Kant's presuppositiothis problematic Nicholas Wolterstorff pushes forward our merely idiosyncratic reasons for liking an object as decisive ('An Engagement With Kant's Theory of Beauty', in: Ralf Meerbote (ed.): Kant's Aesthetics, Atascadero, Cal., 1991, p. 105 ff). Anthony Savile (in his brilliant Kantian Aesthetics Pursued, Edinburgh, 1993) and Mary Mothersill in her article on 'The Antinomy of Taste' (in Meerbote, 1991, p. 75 ff.), both direct our attention to the possibility of assessment of the truth value of the judgement with regard to its content. 2 Wiggins, D.: Needs, Values, Truth: Essays in the Philosophy of Value. Oxford: Blackwell, 1987, essay V: 'A Sensible Subjectivism?' 3 I do not think that the distinction between beauty and the sublime is intelligible, but will not argue against it in this paper. Instead I will treat them as on a par, and talk instead of 'aesthetic excellence', which everybody will agree comprises both. 4 An important example of the former strategy can be found in Nelson Goodman's writings whereas Monroe Beardsley and George Dickie clearly follow the latter. 5 The controversial character of some of Kant's presuppositiothis problematic Nicholas Wolterstorff pushes forward our merely idiosyncratic reasons for liking an object as decisive ('An Engagement With Kant's Theory of Beauty', in: Ralf Meerbote (ed.): Kant's Aesthetics, Atascadero, Cal., 1991, p. 105 ff). Anthony Savile (in his brilliant Kantian Aesthetics Pursued, Edinburgh, 1993) and Mary Mothersill in her article on 'The Antinomy of Taste' (in Meerbote, 1991, p. 75 ff.), both direct our attention to the possibility of assessment of the truth value of the judgement with regard to its content. 2 Wiggins, D.: Needs, Values, Truth: Essays in the Philosophy of Value. Oxford: Blackwell, 1987, essay V: 'A Sensible Subjectivism?' 3 I do not think that the distinction between beauty and the sublime is intelligible, but will not argue against it in this paper. Instead I will treat them as on a par, and talk instead of 'aesthetic excellence', which everybody will agree comprises both. 4 An important example of the former strategy can be found in Nelson Goodman's writings whereas Monroe Beardsley and George Dickie clearly follow the latter. 5 The controversial character of some of Kant's presuppositiothis problematic Nicholas Wolterstorff pushes forward our merely idiosyncratic reasons for liking an object as decisive ('An Engagement With Kant's Theory of Beauty', in: Ralf Meerbote (ed.): Kant's Aesthetics, Atascadero, Cal., 1991, p. 105 ff). Anthony Savile (in his brilliant Kantian Aesthetics Pursued, Edinburgh, 1993) and Mary Mothersill in her article on 'The Antinomy of Taste' (in Meerbote, 1991, p. 75 ff.), both direct our attention to the possibility of assessment of the truth value of the judgement with regard to its content. 2 Wiggins, D.: Needs, Values, Truth: Essays in the Philosophy of Value. Oxford: Blackwell, 1987, essay V: 'A Sensible Subjectivism?' 3 I do not think that the distinction between beauty and the sublime is intelligible, but will not argue against it in this paper. Instead I will treat them as on a par, and talk instead of 'aesthetic excellence', which everybody will agree comprises both. 4 An important example of the former strategy can be found in Nelson Goodman's writings whereas Monroe Beardsley and George Dickie clearly follow the latter. 5 The controversial character of some of Kant's presuppositio